Thursday, 27 August 2009
Silver exhibition at Scion House Stirling University
FDPW members Colin Beaumont, Steve Ramtomski, Lorna Doherty and Angela Heidemann have spent the past few days making preparations, and installing the printmaking exhibition "Silver".
This is the second outing for the touring exhibition which celebrates 25 years since the founding of the print workshop, which is situated in the basement of the Del Farqueson Community centre in Netherton Broad Street, Dunfermline.
Monday, 24 August 2009
Residency at East London Printmakers
Residency Programme details
Since East London Printmakers' tenth anniversary in 2008, the studio has been running a residency programme. The purpose of this opportunity is to promote professional development in printmaking and to create an arena for visiting artists to share their knowledge and experiences with ELP members. The programme supports the development of new work and access to a network of artists in London.
The studio is based in the heart of East London's contemporary art scene, close to Vyner Street, London Fields and Regent Street Studios.
Two artists per year will receive:
* 24-hour access to the studio's facilities
* £100 budget for materials
* £200 fee for running a one-day master workshop
* Free membership of East London Printmakers for one year
* Storage space for materials and a plan chest drawer
Applicants are invited to submit a proposal for a project lasting no longer than twelve consecutive weeks, focusing on either screen-printing or relief and intaglio. Applicants must demonstrate prior knowledge of printmaking, however the programme encourages experimentation, thus artists from all disciplines are encouraged to apply.
The programme is open to local, national and foreign artists. Applicants need to be self-sufficient as this opportunity does not include accommodation or expenses for materials. Recipients must be prepared to teach a one-day master workshop and host an artist's talk for the benefit of ELP members. Opportunities to learn new printmaking skills will be dependaet on workshops and places will be available at the members' concessionary rate.
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Applicants should send, by recorded delivery:
* a completed application form
* a resumé
* 10 photographs/digital prints or one CD/ DVD/VHS
Please do not send actual art pieces as ELP will retain applications and confirm receipt by email. The ELP committee meet twice a year and applicants will be notified by email within two weeks of the deadline.
Application deadlines
* 6 December 2009 for an Artist Residency between January and June 2010
* 1 June 2010 for an Artist Residency between July and December 2010
East London Printmakers
East London Printmakers BLOG
note image above is by East London Printmaker Wuon-Gean-Ho
titel: Guardian-III
Visit her website
Printmakers exhibiting at Scion, Stirling University
Update on Aine..............
As may be noted posts to the FDPW blog have been few and far between of late. This has been due to my spinal surgery at the great Western in Edinburgh at the end of June. Initially the pain was awful following the week in hospital and it improved slowly. Now although my back pain is still there all the time - at least the nerve pain down my left leg has ceased.
It seems that the surgery has been successful But I still cannot stand or walk far but I do now have a fancy 'hight tech' "Zimmer" with rubber wheels so when working at FDPW I will be using it to help my movement around the workshop. Its even got a built in seat so I can sit down when folks start chatting to me which for some reason, I have become particularly aware, always tends to happen, when one is standing or just leaving or just entering.
Thanks to all of you who were kind enough via emails/phone calls ....to ask how I was getting on and wishing me luck even before I went into have the operation. I have never received so many cards and flowers which was lovely and very much appreciated.
Special thanks to Steve and Sheila who individually came to visit in my first few weeks when I was out of hospital. I was feeling pretty low then what with the increased pain level. Never mind thats all gone now.
Finally words cannot express the friendship and support I experienced from Tatiana (who lives nearby). She has truly helped me so much with her lively visits and these things really count when things are not going so great.
Apologies to people who emailed me stuff to post on the FDPW blog during the past 6-7 weeks that I have not put up here. I just could'nt face doing anything like that. I was tired a lot of the time so might well have posted them without including the dates or location....
anyway I will try to keep up with updating. Fellow contributors are welcome so if you would like to post items then please contact me.
Aine
Sunday, 2 August 2009
Introductory Printmaking Course Sep 2009
FDPW has set up an introductory course that will run over a period of four Saturdays
i.e., 5th, 12th, 19th and 26th.
C O U R S E O U T L I N E
Areas to be covered
---------------------
COLLAGRAPHS, which essentially is a printmaking plate ( most often initially made of board or thin wood) onto which you make a form of 'collage' of thin materials such as torn paper, textured paper, lace, dried plant materials, fabrics of all sorts, string, threads, fibres.
YOU are invited to bring along some items to potentially include in the making of your own collagraph.
MONOPRINTS
A very immediate printmaking medium that essentially constitutes using ink applied to a plate surface. This is then run through the etching press. It may be executed through a range of approaches which include drawing, painting, wiping away and masking.............
DRYPOINT
Drypoint etching essentially is a simple and direct method of intaglio, where the surface of the plate is scratched into to produce a burr, which then holds the ink.
It can also be combined with collagraph and/or monoprinting.
RELIEF PRINTING
Relief printing may be conducted using card whereby a scalpel knife is used to 'cut' the image into the surface. Stripping off layers of the card can produce areas of tone and texture.
COURSE TUTOR: Colin Beaumont; an experienced and friendly printmaker, has an easygoing character and you will enjoy your course learning and sharing in his wealth of knowledge. He will also provide guidance as to the development of your imagery and creative ideas.
NO PREVIOUS PRINTMAKING EXPERIENCE REQUIRED - JUST THE 'DESIRE' AND COMMITTMENT TO INVOLVE ONESELF IN AN EXPLORATION OF THE PRINTMAKING PROCESS!!
To book a place on this course
Contact
Jenny Grundy: tel: 0131 343 3707
or by email: davidgrundy@lineone.net
also you can phone Colin Beaumont (course tutor)
01333 309 223 or by email
co.beau@hotmail.com
Cost
The course fee is £140.00 (130 for current members of FDPW)
Payable by 1st September
POST
Send Cheques made payable to FDPW
Fife+ Dunfermline Printmakers Workshop
The Basement,
Dell Farquharson Community Centre,
Netherton Broad St.
Dunfermline, Fife,
KY12 7DS
What you need to bring along:
work clothes - as it’s a hands on practical course where you can expect to get dirty!!
Source material:
Sketches, photos, images from magazines that you like, or books.
Tea and Coffee are provided but bring your own lunch.
------------------------------------------------------------------------
i.e., 5th, 12th, 19th and 26th.
C O U R S E O U T L I N E
Areas to be covered
---------------------
COLLAGRAPHS, which essentially is a printmaking plate ( most often initially made of board or thin wood) onto which you make a form of 'collage' of thin materials such as torn paper, textured paper, lace, dried plant materials, fabrics of all sorts, string, threads, fibres.
YOU are invited to bring along some items to potentially include in the making of your own collagraph.
MONOPRINTS
A very immediate printmaking medium that essentially constitutes using ink applied to a plate surface. This is then run through the etching press. It may be executed through a range of approaches which include drawing, painting, wiping away and masking.............
DRYPOINT
Drypoint etching essentially is a simple and direct method of intaglio, where the surface of the plate is scratched into to produce a burr, which then holds the ink.
It can also be combined with collagraph and/or monoprinting.
RELIEF PRINTING
Relief printing may be conducted using card whereby a scalpel knife is used to 'cut' the image into the surface. Stripping off layers of the card can produce areas of tone and texture.
COURSE TUTOR: Colin Beaumont; an experienced and friendly printmaker, has an easygoing character and you will enjoy your course learning and sharing in his wealth of knowledge. He will also provide guidance as to the development of your imagery and creative ideas.
NO PREVIOUS PRINTMAKING EXPERIENCE REQUIRED - JUST THE 'DESIRE' AND COMMITTMENT TO INVOLVE ONESELF IN AN EXPLORATION OF THE PRINTMAKING PROCESS!!
To book a place on this course
Contact
Jenny Grundy: tel: 0131 343 3707
or by email: davidgrundy@lineone.net
also you can phone Colin Beaumont (course tutor)
01333 309 223 or by email
co.beau@hotmail.com
Cost
The course fee is £140.00 (130 for current members of FDPW)
Payable by 1st September
POST
Send Cheques made payable to FDPW
Fife+ Dunfermline Printmakers Workshop
The Basement,
Dell Farquharson Community Centre,
Netherton Broad St.
Dunfermline, Fife,
KY12 7DS
What you need to bring along:
work clothes - as it’s a hands on practical course where you can expect to get dirty!!
Source material:
Sketches, photos, images from magazines that you like, or books.
Tea and Coffee are provided but bring your own lunch.
------------------------------------------------------------------------
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